Indonesian contemporary art over its historical range has undergone many dynamics. The most significant has been seen from the contrast between the two, Bandung’s and Jogjakarta’s cultural phenomenon and sociological environment, which are both dominant in the history of Indonesia’s art scene. The differences were seen including in the depiction of the artwork, the creative process and the mechanism formed between the artist and the social field of art in general. This research specifically describes the dynamic in the social field of Indonesia art, which has significantly occurred at the beginning of the new millennium to the present time. The revival of the Asian economic region brings culture including Indonesian art at the most advanced stage in the history. Interdisciplinary phenomenological approach used in this study to analyze the effects of the rise of Asia as an anthropological and sociological phenomenon of contemporary Indonesian art world.
Keywords: History, Contemporary Art, Asia, Phenomenology